Head – Expression, Identity, and the Stage of Sensuality
The head is the most visible center of sensuality — the place where desire, emotion, and identity first appear. Neck, mouth, eyes, hair, face: each carries its own narrative weight. This category explores how writers can use the head as a stage for nonverbal tension, erotic suggestion, and psychological nuance. From the subtle language of lips to the exposed vulnerability of the neck, from the symbolic power of hair to the quiet intensity of eye contact — the head becomes a living, breathing focal point of erotic storytelling. It’s where intimacy often begins, long before a body is touched.
Hairstyles are like fashion in general subject to the zeitgeist. Here I have compiled a list of different hairstyles, with a brief description of what each hairstyle is about: These are just some examples of different hairstyles, but there are many more variations and combinations depending on hair type, personal preference, and style.
In literature, there are countless representations of gazes that reflect the emotions of protagonists. In this regard, authors use various literary techniques to emphasize the importance of looks in their stories and to convey the characters’ emotions. Here are some examples: Gaze descriptions: Authors may use detailed descriptions of gazes to illustrate the emotions of … Continue reading Literary descriptions of the gaze
There are many examples of descriptions of pubic hair in literature, both contemporary and historical. One well-known example is from the classic novel “Lady Chatterley’s Lover” by D.H. Lawrence. In the book, the protagonist describes his lover’s pubic hair as “thick and dark,” a description that emphasizes the physicality and sensuality of the female body. … Continue reading Pubic hair in literature
The role of pubic hair in history since 1970 from a feminist perspective has been a topic of debate and discussion. Feminists have looked at pubic hair as a symbol of women’s liberation, a way to challenge patriarchal beauty standards, and a tool for reclaiming control over women’s bodies. In the 1970s, the feminist movement … Continue reading Pubic hair and feminism
Those familiar with our blog (and our books) know that we are fans of graphic and explicit descriptions. Our job as authors is to create images in your mind as you read. And in the best case, those should stick around for a long time. I’m currently reading the story “Shaved Bare” by Gale London. … Continue reading Pubic Hair
Ich hatte neulich im Zusammenhang mit NLP ja bereits über einige Dinge geschrieben, die mit der Blickrichtung und der Größe der Pupillen zusammenhängen. Aber da ich in der letzten Zeit immer wieder auf Beschreibungen der Augen gestoßen bin, deren einziges Ziel es war, die Emotionen der Protagonisten herauszustellen, will ich hier noch mal ein wenig … Continue reading Augen und Emotionen
Because we were just on the subject, I wanted to know from Stina if she had a color palette with the names of the shades for the different hair colors. And she was able to help me with that, too. She herself, unfortunately, didn’t have a map to give me but referred me to a … Continue reading HAIR COLORS – THE COLOR PALETTE
Nach meinem Gespräch mit Stina achte ich beim Lesen offensichtlich stärker auf die Beschreibung von Haaren als vorher. Gerade fiel mir der Roman “Nur eine Liste” von Siobhan Vivian in die Hände. Das Buch ist eher ‘Young Adult‘ als ‘New Adult‘, nicht nur wegen der Altersstufe ihrer Protagonistinnen. Sex kommt darin vor, wird von Vivian … Continue reading Frisuren im Roman “Nur eine Liste” von Siobahn Vivian
“Mit den Haaren machst du in erster Linie eine Aussage über deinen Stil”, meinte Stina, meine Lieblingsfriseurin und Vertraute in Style-Fragen, neulich zu mir. Ich hatte ihr gesagt, ich würde gern mal wieder etwas Neues ausprobieren. Sie schaute mich eine Weile an, riet mir dann aber ab: “Du bist und bleibst der romantische Typ. Haare … Continue reading Frisuren und Frauentypen
The direction of view My friend Karin works as an NLP trainer. She told me that she can tell what her clients are thinking about by the direction of their gaze. For example, if her client is looking up to the right (as seen from the other person), there is a relatively high chance that … Continue reading WHAT THE EYES REVEAL
