{"id":405,"date":"2016-05-22T17:41:56","date_gmt":"2016-05-22T17:41:56","guid":{"rendered":"http:\/\/manther.de\/?p=405"},"modified":"2025-05-03T14:33:35","modified_gmt":"2025-05-03T12:33:35","slug":"sandra-manther-buehnenangst","status":"publish","type":"post","link":"https:\/\/manther.de\/fr\/2016\/05\/sandra-manther-trac-peur\/","title":{"rendered":"Sandra Manther: Peur"},"content":{"rendered":"
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Une histoire que j’avais en t\u00eate depuis longtemps est “Peur”. Chaque fois que je vois une sc\u00e8ne de nudit\u00e9 au cin\u00e9ma ou au th\u00e9\u00e2tre, je me demande ce que ressentaient les acteurs lors de leur premi\u00e8re approche du r\u00f4le. Quel est le r\u00f4le de la honte, de l’ins\u00e9curit\u00e9 ? Tous les acteurs sont-ils vraiment des exhibitionnistes d\u00e9guis\u00e9s ? Et si ce n’est pas le cas, comment se pr\u00e9parent-ils \u00e0 leur r\u00f4le ?<\/p>\n\n\n\n

De quoi s’agit-il ?<\/h2>\n\n\n\n

Le metteur en sc\u00e8ne Ralf K\u00fcrtner r\u00e9p\u00e8te la pi\u00e8ce “Angst” de l’Albanais Aleksand\u00ebr Caliqi. Et d\u00e9cide de souligner un long strip-tease monologique de l’\u00e2me de sa protagoniste avec une dynamique symbolique. Pour Anna, qui se sent de toute fa\u00e7on constamment \u00e9valu\u00e9e par les regards des hommes, c’est un passage par l’enfer. Mais elle vit ce qui est une exp\u00e9rience existentielle pour tout acteur : plus elle s’abandonne, plus elle grandit dans son r\u00f4le.<\/p>\n\n\n\n

Extrait de lecture :<\/h2>\n\n\n\n

\u00c7a ne s\u2019est pas pass\u00e9 comme pr\u00e9vu. Les r\u00e9p\u00e9titions dans le petit th\u00e9\u00e2tre n\u2019avan\u00e7aient pas. Et Anna, dans son premier r\u00f4le principal, avait l\u2019impression que c\u2019\u00e9tait en grande partie d\u00fb \u00e0 son manque d\u2019assurance. Ralf K\u00fcrtner, le metteur en sc\u00e8ne, \u00e9tait loin d\u2019\u00eatre satisfait.
\u2014 Le monologue ne fonctionne pas comme \u00e7a. Tu es trop statique, cria K\u00fcrtner en col\u00e8re vers la sc\u00e8ne. Le rythme cardiaque d\u2019Anna s\u2019acc\u00e9l\u00e9ra et un frisson lui parcourut l\u2019\u00e9chine. Deux ans d\u2019auditions, de refus, de petits r\u00f4les secondaires, de nouveaux refus. Maintenant, sa premi\u00e8re occasion de se faire vraiment remarquer : un r\u00f4le principal dans \u00ab Angst \u00bb, la derni\u00e8re pi\u00e8ce de l\u2019albanais Aleksand\u00ebr Caliqi. Elle se tourna vers K\u00fcrtner qui faisait les cent pas devant la sc\u00e8ne, le front pliss\u00e9. Quelques acteurs \u00e9taient assis dans le parterre. Sandra aussi, sa doublure, qui souriait l\u00e9g\u00e8rement en observant l\u2019\u00e9chec d\u2019Anna.
Mal \u00e0 l\u2019aise, Anna regarda le mince haut bleu clair de Sandra, sous lequel se dessinaient sans \u00e9quivoque les pointes de ses seins. \u00ab Sandra baiserait sans h\u00e9siter un metteur en sc\u00e8ne si cela pouvait aider sa carri\u00e8re \u00bb, pensa-t-elle.
Elle essayait d\u2019imaginer \u00e0 quoi ressemblerait le haut sur elle-m\u00eame, comment ses propres seins se dessinaient sous le tissu. Elle sentait sa peau se contracter et faire appara\u00eetre de petites pustules sur ses bras. Elle \u00e9tait particuli\u00e8rement pudique, peut-\u00eatre trop pour \u00eatre vraiment r\u00e9ussie.
\u2014 Anna, entendit-elle K\u00fcrtner dire. Ton monologue dure cinq minutes. Tu ne peux pas t\u2019attendre \u00e0 ce que les spectateurs soient suspendus \u00e0 tes l\u00e8vres pendant cinq minutes sans que tu fasses autre chose que marcher de gauche \u00e0 droite.
Son regard se promena sur le d\u00e9cor, s\u2019arr\u00eata sur la table de la cuisine o\u00f9 \u00e9tait assis Frank, qui jouait Pjeter, l\u2019ami de la maison, continua vers l\u2019\u00e9vier, la fen\u00eatre. Finalement, il secoua la t\u00eate. Anna se rendit compte qu\u2019elle respirait \u00e0 peine.
\u2014 Nous avons besoin d\u2019une intrigue parall\u00e8le. Anna, dans ton monologue, tu te montres Frank compl\u00e8tement \u00e0 d\u00e9couvert. Tu lui dis des choses que tu n\u2019as jamais confi\u00e9es \u00e0 personne.
Anna hocha la t\u00eate. Bien s\u00fbr, elle avait compris le r\u00f4le. Ils avaient longuement parl\u00e9 du d\u00e9veloppement psychologique du personnage pendant les r\u00e9p\u00e9titions.
\u2014 Nous devrions essayer, continua K\u00fcrtner pensivement, de souligner ce strip-tease de l\u2019\u00e2me avec une dynamique symbolique. Anna, je veux que tu te d\u00e9shabilles pendant que tu parles.<\/p>\n\n\n\n

Voir le livre sur amazon.fr<\/em><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Une histoire que j’avais en t\u00eate depuis longtemps est “Peur”. Chaque fois que je vois une sc\u00e8ne de nudit\u00e9 au cin\u00e9ma ou au th\u00e9\u00e2tre, je me demande ce que ressentaient les acteurs lors de leur premi\u00e8re approche du r\u00f4le. Quel est le r\u00f4le de la honte, de l’ins\u00e9curit\u00e9 ? Tous les acteurs sont-ils vraiment des … Continuer la lecture de Sandra Manther: Peur<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":461,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_FSMCFIC_featured_image_caption":"© sirtravelalot<\/a>\/shutterstock.com<\/a>","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","footnotes":""},"categories":[4],"tags":[71,60],"class_list":["post-405","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-unsere-buecher","tag-enf","tag-naked-in-public"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"fr","enabled_languages":["de","en","fr"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false},"fr":{"title":true,"content":true,"excerpt":false}}},"yoast_head":"\nSandra Manther: Peur - manther<\/title>\n<meta name=\"description\" content=\"L'histoire d'une actrice qui doit se d\u00e9shabiller sur sc\u00e8ne pendant un monologue. 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